Sapan News updates, art and interfaith in Mumbai, Kabir Festival, two films, and a train crash tragedy

Hello all, check out the work we’re doing at Sapan News, providing behind-the-headlines information with context and nuance, and syndicating pieces out to a growing media network.

Sapan News syndicated feature in The South Asia Times, page 27, 3-9 June.

The latest Sapan News features include this explainer about the implications of the state crackdown on the violent protests following Imran Khan’s arrest in Pakistan – by Abdullah Zahid in Karachi, published in The South Asia Times (image from their New York edition here) among others. Read it online here.

Plus:

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Happening this Sunday in the Boston area, the second Kabir Festival, in Waltham, 4-7 pm – an event co-sponsored by Sapan, the Southasia Peace Coalition. For details see the Southasia Peace website.

NOTE: If you like/support our work, please contribute what’s possible – no amount is too big or too small. Will be so grateful. We need to raise $15k by year end at a minimum. You can make tax-free donations at this link.

Joyland poster

On another note, I saw the banned-unbanned-censored (still banned in Punjab?) Joyland in Karachi a few weeks ago, and it haunted me – and my cousins who I saw it with – for days. This is the first feature film from Pakistan to screen at Cannes where it won two awards.

“What began as a small independent production among friends at Columbia University’s graduate film program became one of the year’s biggest success stories in world cinema — and a ground-breaking film about queer desire in a traditional Muslim society” reports NPR.

The film is showing at Coolidge Corner Theatre in the Boston area this week– writer-director Saim Sadiq has said the cuts made for the film’s showing in Pakistan were insignificant but I am curious to see the uncensored version.

A film I saw recently and enjoyed was Nandita Das’ Zwigato, that she showed in person at various cities in the US.

Even on the small screen I found it thought-provoking and beautifully done, with many layers, a great commentary on the changing society, its challenges and opportunities. Sensitively depicted relationships, humanity, and aspirations. Great poetry and soundtrack, with many nuggets and vignettes sprinkled throughout. The end credits with animations are particularly creative and a story in themselves.

This is the third feature film by Nandita Das that I’ve seen, after Firaaq and Manto. Each of them a labour of love, executed with courage and clarity.

Interesting that the posters for both films feature two-wheelers…

Ending on a sad note – the triple train crash in India that has claimed nearly 300 lives. As expected, authorities are trying to pass it off as ‘human error’ rather than admit to the systematic problems with the railways or the government’s financial choices.

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India-Pakistan @ 75 and graphic images from Ukraine: Two articles and some context

Sharing two recent pieces, this time not part of the Sapan News Network syndicate. One commissioned by The Wire, and the by The Conversation.

Below – some context and what the editors wanted.

The “piano man,” a war refugee, became one of the symbols of resistance emerging from conflict. Photo by Joe Raedle/Getty Images, Lviv, Ukraine, March 29, 2022.
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MSR’s ongoing incarceration: “There still remain journalists in this country determined to hold their ground”

The March 12 arrest of Mir Shakilur Rahman sent shockwaves through journalist and human rights communities, Here’s a link to my piece about this issue in The Washington Post today: In Pakistan, a bizarre arrest shows how media freedom is being squeezed.

But even if he is granted bail now – after over 100 days of being denied his liberty and that too at a time of Covid — this will be a minor victory  achieved at a huge cost, not only for Rahman, but also for media freedom and democracy in Pakistan.

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V for virus, V for vendetta… In ongoing case against media boss, calls to #FreeMirShakilurRehman fall on deaf ears

It is outrageous that for nearly a month now, chief editor and owner of the country’s largest media group has been behind bars. Mir Shakilur Rahman was arrested by Pakistan’s National Accountability Bureau on March 12, in connection with a 34-year old land case. Leading lawyers agree that the case is baseless. They are among the many voices – journalists, international human rights organisations and media platforms, rival media groups, civil society organisations at home and abroad – outraged by this travesty of justice and urging MSR’s release #FreeMirShakilurRehman.

Leading international organisations have called for MSR’s release

The detention is widely seen as part of an ongoing attack on media freedom in Pakistan. The case, clearly motivated by vendetta, is particularly disturbing at a time when everyone needs to be on the same page in fighting the global COVID-19 pandemic. See my story in Naya Daur, also posted below with updates, about a maverick poet and intellectual with no affiliation to the Jang/Geo media group, on hunger strike since March 29 for MSR’s release.

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