A personal tribute: Zia Mohyeddin, truly one of a kind

Another obituary I wish I didn’t have to write. Farewell Zia sahib. What a life – and what a contribution to the arts and progressive thinking, with your immaculate performances and recitations. Thanks to The Wire editors for pushing me to write this piece, sent out as a Sapan News Network syndicated feature to several publications.

The master narrator of prose - Zia Mohyeddin
Zia Mohyeddin: An unparalleled orator. Photo: Courtesy Dr. Ghulam Nabi Kazi, Flickr

Born: 30 June (or 20 December) 1931, Lyallpur; Passed on: 13 February 2023, Karachi

The great Zia Mohyeddin was already a legend when I first interacted with him as an adult in the mid-1990s. He had recently moved to Lahore where I then lived at Lakshmi Mansion at Regal Chowk. I was working on the launch of weekly The News on Friday, a brainchild of my editor the multi-talented Imran Aslam who revered Zia sahib. 

Both were alumni of the prestigious Government College Lahore and its GCDC, the Government College Drama Club. Knowing my family’s connection to Zia sahib, Imran asked me to approach him for a weekly column.

Pakistan’s progressive movement revolved largely around the great poet Faiz Ahmed Faiz, whose work Zia Mohyeddin so eloquently recited in his signature style, his distinctive, gravelly voice setting him apart from others. As part of the same circle, Zia sahib, born in 1931 in then Lyallpur (Faisalabad), Punjab, knew my father Dr M. Sarwar who led Pakistan’s first nationwide student movement, the Democratic Students Federation, 1948-54.

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A real and dangerous pandemic, and lives well lived

The Covid-19 pandemic is real and dangerous. Yesterday it likely snatched another beloved relative from us. My beautiful, youthful 83-year-old cousin Geti’s husband Ismail Saad, 90, passed away in the early hours of Monday morning. He was frail and not keeping very well, but was mentally all there. Had just finished yet another book – in Urdu. A comparison between educational systems in different countries, it will now be published posthumously.

Ismail Saad and Geti Waheeduddin a week before their wedding, 1967.

He wasn’t tested but the positivity rate in Karachi is currently estimated at 40%. Like others, many of our family members tested positive over the past weeks – most with mild or no symptoms, probably the Omicron variant, including my mother Zakia Sarwar, 82, and many overseas guests visiting for a family wedding. But it’s not mild or asymptomatic for everyone. The day before Ismail Saad’s passing, the virus killed a senior pediatrician at Aga Khan Hospital.

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Amateur theatre group from Pakistan tours USA with Partition stories

My article on Islamabad-based group Theatre Wallay’s theatre project ‘Dagh Dagh Ujala’ (This Stained Dawn), that toured the US recently, published in Scroll.in today – Partition retold: A Pakistani theatre group dramatises survivor stories to shatter myths. Below, the unabridged version filed on Oct. 26.

DaghDagh Ujala-Isbd

Scene from the play, Islamabad performance. Photo courtesy: Fizza Hasan

Beena Sarwar

An amateur theatre group in Pakistan has started its tour of the USA with a dramatisation of Partition stories based on interviews of Partition-survivors by group members.

The play’s title Dagh Dagh Ujala’ (This Stained Dawn) refers to the first words of the Urdu poem ‘Subh-e-Azadi’ (Dawn of Freedom) by the acclaimed poet Faiz Ahmed Faiz. Penned in 1947 on the eve of India’s Independence from British rule and its bloody partition, the poem is popular on both sides of the border. Continue reading

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