Wrote this piece a couple of weeks ago, on one of Pakistan’s most versatile composers who continues to produce a genre embedded in Southasian traditional music, to get the younger generation to appreciate classical poetry and music — and provide a platform for new talent. A Sapan News syndicated feature also published in other outlets.
Personal Political
By Beena Sarwar / Sapan News
Will there be singing
In dark times?
Yes, there will be singing
About dark times
— Bertolt Brecht,
Germany, 1939
Arshad Mahmud is one of Pakistan’s most prolific and talented composers, the man whose music launched singing sensations like Nayyar Noor and Tina Sani.
He made his debut with the children’s television show Akkar Bakkar, 1972, along with Nayyara Noor and the pioneering puppeteer Farooq Qaiser, produced by Shoaib Hashmi, then an economics professor at Government College (now University) Lahore.
Behind the ustad (teacher) Hashmi’s booming voice, gruff manner and handlebar moustache was a brilliant writer and satirist who went on to write and produce the groundbreaking, now legendary satirical television shows Such Gup and Tal Matol. We would use these as the titles of Shoaib Hashmi’s columns for The Frontier Post later and The News on Sunday that I edited in Lahore, starting in the 1990s. His daughter Mira Hashmi has uploaded many of the videos to her YouTube channel.
‘Lord Clive’
Continue readingFiled under: Art and activism, Freedom of expression, Music | Tagged: Classical music, democracy, Human rights, India, music, Pakistan, south asian music, Southasia, southasian music | 1 Comment »
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