The unfulfilled creative promise and potential of Southasia through art and film

Among the insights gained during the panel discussion after the exhibition walkthrough and documentary screening was the similarity between the creative arts and good journalism: Both involve masses of research, and are rooted in being exploratory, observational, and non-judgmental, rather than agenda-driven.

Personal Political

By Beena Sarwar / Sapan News

Manmeet K. Walia introducing the (Un)Layering the future past of South Asia: Young artists’ voices‘ exhibit as part of a special event organised by the Bloomsbury Institute London last week. Photo by Beena Sarwar.

The idea of a ‘Young Southasian Artists’ exhibition struck a chord when acclaimed Lahore-based artist and educator Salima Hashmi mentioned it some years ago, after writer and curator Manmeet K. Walia from New Delhi approached her about it.

Salima Hashmi, known for her creativity and longstanding commitment to peace, democracy and human rights, is also a founder member and advisor for the Southasia Peace Action Network which nearly 90 of us launched online in March 2021. Her lifetime of hard work, struggle, and consistency stand apart from the legacy she inherited from her illustrious father, the celebrated poet Faiz Ahmed Faiz.

When Prof. Hashmi and Ms. Walia presented their then under-production show at the Faiz Festival in Lahore, 2024, what stood out was the creativity and courage they were showcasing.

Continue reading